Take one Xanex and see me in the morning
I was looking up the theme tune to the show "Weeds" when I stumbled across an article in The New Republic by their TV critic Lee Siegel. It's general thrust was that Weeds was derivative and unfunny. Fair enough. I would personally disagree but everyone is entitled to their opinion. It was the first half of the diatribe that struck me as worthy of comment. It was basically an attack on the whole idea of the suburbs as a hidden roiling sea of depravity and immorality. Clearly a suburbanite who resents the stereotyping in the 'liberal media'. Lee gives Desperate Housewives as pass because it is so campy that no-one would mistake it for the reality of his/her nice suburban dream. Time to get out of the bubble. The suburbs are just as boring, depraved, tedious and normal as the city. That a comedy should focus on the seedy underbelly of the 'burbs is neither new nor unfair to the ticky tacky houses. Where does Mr/Ms Siegel think that the majority of the clientele of strip clubs, hookers, massage parlour come from? You guessed it - the 'burbs. And where are the majority of drugs bought and sold for final use. No shit Sherlock - the 'Burbs. Society has a seedy undebelly and it is not restricted to demography or geography.
Oh yeah - and lighten up on Mary Louise Parker. You don't like, her - we get it. Just stop dipping into the thesaurus and a psych minor to rail against a critically well-liked actress. I saw her in Proof as well, and I thought that she did a fine job crafting her character. We'll see how Gwyneth does - though I imagine Seigel will like her - very nice suburban girl, even if she does call her child Apple.
As for the theme song, a 1962 ditty called "Little Boxes" by Malvina Reynolds. Yes, it is a little condescending, though with no little insight for the early 60's. Siegel dexcribes it as "subtly anihilating"? What flavor of anti-skank do you have to smoke to take such offence to an amusing little folk song. I suppose The New Republic needs to increase readership to a more conservative suburban audience as the its core urban subcribers look to 'precycle' their magazines by reading Slate and 20 blogs online.
Oh yeah - and lighten up on Mary Louise Parker. You don't like, her - we get it. Just stop dipping into the thesaurus and a psych minor to rail against a critically well-liked actress. I saw her in Proof as well, and I thought that she did a fine job crafting her character. We'll see how Gwyneth does - though I imagine Seigel will like her - very nice suburban girl, even if she does call her child Apple.
As for the theme song, a 1962 ditty called "Little Boxes" by Malvina Reynolds. Yes, it is a little condescending, though with no little insight for the early 60's. Siegel dexcribes it as "subtly anihilating"? What flavor of anti-skank do you have to smoke to take such offence to an amusing little folk song. I suppose The New Republic needs to increase readership to a more conservative suburban audience as the its core urban subcribers look to 'precycle' their magazines by reading Slate and 20 blogs online.